Projects Overview

Gwen – “Did I Want To Be Here” / Gwen is a 5’6″ (1.7 m) tall 16 panel gum birchromate print and was made for ‘Squaring the Circles of Confusion: Neo-Pictorialism in the 21st Century’ exhibition at the Royal Photographic Society. “Did I Want To Be Here?” were the last coherent words that Gwen uttered to Ian as he helped her from the car to his

Self-i / The selfie is a millennial social phenomenon. Once the sole domain of teenagers, it has now permeated our culture on a grand scale — arguably distorting how we perceive ourselves and how we want to be perceived, as we turn the camera in on ourselves. In this project, Self–I, I explore the intersection of self-expression and image-making through a participatory approach. Empowering my subjects,

Beyond The Edge / The inception of Beyond The Edge came about spontaneously one New Year’s morning during breakfast when a thunderstorm breezed in. I was already gearing myself up over coffee, ready to embrace whatever new creative possibilities that this New Year had in store for me. The dramatic weather provided the perfect catalyst. On a whim, I jumped into my car and chased the

The ‘Self’ & The ‘Other’ / This ongoing series of self-portraits explores the construction of identity through the lens of ancient Roman portraiture. Blending self-portrait photography with classical references and draws on theories of the self and the other — exploring how identity is shaped through cultural ideals, memory, and inherited visual forms. The Roman period was a turning point for portraiture — introducing hybrid and abstracted forms

Fractured Whispers / In the heart of these ancient Celtic / Atlantic rainforest’s is where the veil between the worlds is thinnest! I can almost hear the murmurs of bygone tales, resonating through the ages and igniting the imagination of bards and storytellers. Each branch tells a story, every leaf whispers a secret, and every shadow holds a fragment of forgotten lore. Here, in these enchanted

A Moment’s Existence / A Moment’s Existence is an exploration of identity, memory, and the transient, fragile nature of life. This project questions what it means to be alive, dissolving the boundaries between mediums. Beneath each image lies a veiled structure – grisaille and glaze, memory and matter – through which fleeting human presence emerges. The work is deeply personal, shaped by the loss of those