Artist Statement /
Ian Phillips McLaren is a British artist, his work explores themes of self, identity, memory, and our connection to the natural world.
Process is key to understanding both his work and the transformation it has undergone.
“The distance between professional photographer and artist was not a space that I expected to traverse. Yet here I am,”
In his current project ‘Fractured Whispers’, Phillips McLaren explores the remnants of the Celtic rainforests, drawing inspiration from their rich tapestry of myths, folklore, and imagination.
By incorporating foraged pigments from the forest floor into his work, he fosters a symbiotic bond between art and nature, deepening his connection with the landscape and bridging the relationship between the subject, himself, and the viewer, whilst inviting others to reconnect with the natural world. Each piece breathes with the spirit of the land, allowing its magic to unfold within the gallery space.
Phillips McLaren begins his landscape work by immersing himself in the forest, absorbing its energy and essence. This process is a form of phenomenology, where he seeks to understand the landscape through direct experience. Listening, observing, and allowing the forest to reveal its sounds and colour palette.
There’s a link to the ancient wisdom and primal essence that we, as a modern society, have largely lost touch with. “When I stand among the trees, I feel an unspoken bond with those who came before me, knowing that I occupy a moment in time that echoes back thousands of years”.
Phillips McLaren’s self-portraiture series, ‘The Self & The Other,’ explores identity through the lens of ancient Roman portraiture. By combining traditional 5″x4″ analogue paper negatives of himself with hybrid digital negatives of Roman portraits and fragments, he re-imagines the historical self-portrait, much like the Romans re-imagined Hellenistic Greek art.
He draws inspiration from Edward Steichen’s transformation of photography into an art form, contemporary photographers Sally Mann and The Starn Twins for their embrace of happy accidents, Anselm Kiefer’s haunting and sublime landscapes for their merging of paint and photography.
“I feel a palpable presence and unseen forces that weave between the trees, a sense of something bigger and greater than me and that I’m not alone – this is what fuel’s my creativity”.
What Others Say About Ian’s Work
“This is one of those works that changes the way you see, how you feel—it reframes the world.”
— John Higginson
“One of the most powerful and yet beautiful photographic pieces I’ve ever seen… an image I shall never forget.”
— Mark Thompson, Writer/Author`
“Seriously amazing – both conceptually and the printing. Amazing feat, really.”
— Diana H. Bloomfield, Photographic Artist
