Ian Phillips McLaren’s practice combines contemporary and 19th century photographic processes, using a versatility both in camera and print making techniques to achieve his results. From Chinese plastic cameras, large format to pinhole, traditional film negatives, paper negatives, digital negatives and hand-made papers and home made emulsions. Hand-made Albumen Prints, Gum Bichromate Prints, Cyanotype Prints and Silver Prints.